| Sigla | Descrizione |
| AH | CLEMENS BLUME - GUIDO MARIA DREVES, Analecta Hymnica Medii Aevi, 55 voll., Leipzig, 1886-1922 (rist. anast.: New York and London, Johnson Reprint Corporation, 1961) |
| AMMM12 | BENVENUTO DISERTORI, Johannes Martini: Magnificat e Messe, Milano, Veneranda Fabbrica del Duomo, 1964 (Archivium Musices Metropolitanum Mediolanense, 12) |
| AMMM7 | FABIO FANO, Anonimi: Magnificat, Milano, Veneranda Fabbrica del Duomo, 1965 (Archivium Musices Metropolitanum Mediolanense, 7). |
| AMMM8 | LUCIANO MIGLIAVACCA, Anonimi: Mottetti, Milano, Veneranda Fabbrica del Duomo, s.d. (Archivium Musices Metropolitanum Mediolanense, 8) |
| ArnoldL | FRIEDRICH WILHELM ARNOLD - HEINRICH BELLERMAN, Das Locheimer Liederbuch nebst der Ars Organisandi von Conrad Paumann, Leipzig, 1926 (rist. anast. Wiesbaden, Sändig, 1967) |
| BaumannD | OTTO BAUMANN, Das deutsche Lied und seine Bearbeitungen in den frühen Orgeltabulaturen, Kassel, Bärenreiter, 1934 |
| Benthem | Johannes Ockeghem Masses and Mass sections. Vol. 1 Masses based on chant; fascicle 1 : Missa Caput, edited by Jaap van Benthem, Utrecht, Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 1994 |
| Benton | MARY A. BENTON, Fifteenth Century Anonymous Chansons volume 1 from Bologna, Civico Museo Bibliografico Musicale MS Q16, Miami, Ogni Sorte Editions, 1981 |
| Blackburn | Guillaume Dufay, Nuper rosarum flores, edited by Bonnie J. Blackburn, Espoo (Finland), Fazer Music, 1994 |
| BondaM | JAN WILLEM BONDA, De meerstemmige Nederlandse liederen van de vijftiende en zestiende eeuw, Hilversum, Verloren, 1996 |
| Borren | CHARLES VAN DEN BORREN, Polyphonia Sacra: a continental miscellany of the Fifteenth Century, London, The plainsong and medieval music society, 1962 |
| Bukofzer | MANFRED BUKOFZER, Two mensuration Canons, "Musica Disciplina", 1 (1948), pp. 165-171 |
| Burstyn | SHAI BURSTYN, Fifteenth-Century Polyphonic Settings of Verses from the Song of Songs, Ph. D. diss., Columbia University, 1972 |
| Carap | PAOLO EMILIO CARAPEZZA, Regina angelorum in musica picta, "Rivista Italiana di Musicologia, 1975, pp.134-154 |
| Cattin68 | GIULIO CATTIN, Le composizioni musicali del ms. Pavia Aldini 361, in: L' ars nova italiana del Trecento 2, a cura di F. Alberto Gallo, Certaldo, Centro di studi sull'ars nova italiana del Trecento, 1968, pp. 1-22 |
| Cattin71 | GIULIO CATTIN, Johannes de Quadris: musico del sec. XV, Bologna, Forni, 1971 (Biblioteca di Quadrivium. Serie musicologica, 12) |
| Cattin78 | GIULIO CATTIN, Virgo Mater Ecclesiae: un tropo alla Salve Regina nelle fonti monodiche e polifoniche dei sec. XIV-XV, in L'Ars Nova Italiana del Trecento IV, a cura di Agostino Ziino, Certaldo, Centro di Studi sull'Ars Nova italiana del Trecento, 1978, pp |
| Cattin86 | GIULIO CATTIN, Testi tropati nei Codici Trentini, in N. PIRROTTA - D. CURTI (a cura di), I codici musicali trentini a cento anni dalla loro riscoperta: Atti del Convegno Laurence Feininger, la musicologia come missione. Trento, Castello del Buonconsiglio, |
| CEKM1 | WILLI APEL, Keyboard Music of the Fourteenth and Fifteenth Centuries, [s.l.], American Institute of Musicology, 1963 (Corpus of Early Keyboard Music, 1) |
| CMM1/1a | GUILLAUME DE VAN, Guglielmi Dufay Opera Omnia, I Motetti, Roma, American Institute of Musicology, 1947 (Corpus Mensurabilis Musicae, 1-i) |
| CMM1/1b | GUILLAUME DE VAN, Guglielmi Dufay Opera Omnia, II Motetti isorithmici dicti, Roma, American Institute of Musicology, 1948 (Corpus Mensurabilis Musicae, 1-ii) |
| CMM1/1c | GUILLAUME DE VAN, Guglielmi Dufay Opera Omnia, III Missa sine nomine, Roma, American Institute of Musicology, 1949 (Corpus Mensurabilis Musicae, 1-iii) |
| CMM1/1d | GUILLAUME DE VAN, Guglielmi Dufay Opera Omnia, IV Missa sancti Jacobi, Roma, 1949 (Corpus Mensurabilis Musicae, 1-iv) |
| CMM11/2 | GILBERT REANEY, Early fifteenth-century music 2: Franchois Lebertoul, Guillaume Le Grant, Johannis Le Grant, Guillermi Malbecque, Johannis Reson, Gilet Velut, American Institute of Musicology, 1959 (Corpus Mensurabilis Musicae, 11-2) |
| CMM11/3 | GILBERT REANEY, Early fifteenth-century music 3: Richard Loqueville, estienne Grossin, R. Libert, Benoit, American Institute of Musicology, 1966 (Corpus Mensurabilis Musicae, 11-3) |
| CMM11/5 | GILBERT REANEY, Early fifteenth-century music 5 : Antonius de Cividale, Bartholomeus de Bononia, Bartholomeus Brollo, Prepositus Brixiensis, P. Rosso (P. Rubeus), American Institute of Musicology, 1975 (Corpus mensurabilis musicae, 11-5) |
| CMM11/6 | GILBERT REANEY, Early fifteenth-century music 6: Antonius Zachara de Teramo, Magister Zacharias, Antonius Romanus, American Institute of Musicology, 1977 (Corpus mensurabilis musicae, 11-6) |
| CMM11/7 | GILBERT REANEY, Early fifteenth-century music 7: Nicolaus Grenon, Hubertus de Salinis, Beltrame Feragut, s.l., American Institute of Musicology, 1983 (Corpus Mensurabilis Musicae, 11-7) |
| CMM1/2 | HEINRICH BESSELER, Guglielmi Dufay Opera Omnia, Tomus II Missarum pars prior (Corpus Mensurabilis Musicae, 1-II), Roma, American Institute of Musicology, 1959 |
| CMM1/3 | HEINRICH BESSELER, Guglielmi Dufay Opera Omnia, Tomus III Missarum pars altera (Corpus Mensurabilis Musicae, 1-III), Roma, American Institute of Musicology, 1951 |
| CMM1/4 | HEINRICH BESSELER, Guglielmi Dufay Opera Omnia, Tomus IV Fragmenta missarum, Roma, 1962 (Corpus Mensurabilis Musicae, 1-IV) |
| CMM1/5 | HEINRICH BESSELER, Guglielmi Dufay Opera Omnia, Tomus V Minor liturgical composition, Roma, American Institute of Musicology, 1966 (Corpus Mensurabilis Musicae, 1-V) |
| CMM15 | LUDWIG FINSCHER, Loyset Compère Opera omnia, s.l., American Institute of Musicology, 1961 (Corpus Mensurabilis Musicae, 15-4) |
| CMM1/6 | HEINRICH BESSELER, Guglielmi Dufay Opera Omnia, Tomus VI Cantiones, Roma, American Institute of Musicology, 1964 (Corpus Mensurabilis Musicae, 1-VI) |
| CMM19 | SYLVIA W. KENNEY, Walter Frye Opera omnia, s.l., American Institute of Musicology, 1960 (Corpus Mensurabilis Musicae, 19) |
| CMM35/1 | KEITH E. MIXTER, Johannis Brassart Opera Omnia, Tomus I : Fragmenta missarum, American Institute of Musicology, 1965 (Corpus Mensurabilis Musicae, 35-I) |
| CMM35/2 | KEITH E. MIXTER, Johannis Brassart Opera Omnia, Tomus II: Mottetti, American Institute of Musicology, 1971 (Corpus Mensurabilis Musicae, 35-II) |
| CMM37 | NIGEL WILKINS, A 15th-century Repertory from the Codex Reina, American Institute of Musicology, 1966 (Corpus Mensurabilis Musicae, 37) |
| CMM38 | RICHARD LOYAN, Canons in the Trent Codices, American Institute of Musicology, 1967 (Corpus Mensurabilis Musicae, 38) |
| CMM41 | PETER GÜLKE, Johannes Pullois Opera Omnia, American institute of Musicology, 1967 (Corpus Mensurabilis Musicae, 41) |
| CMM42 | EDWARD L. KOTTICK, The unica in the Chansonnier Cordiforme (Paris, Bibliothèque nationale, Rothschild 2973), s.l., American Institute of Musicology, 1967 (Corpus Mensurabilis Musicae, 42) |
| CMM46 | ANDREW HUGHES - MARGARET BENT, The Old Hall Manuscript, 3 voll. , American Institute of Musicology, 1969-73 (Corpus Mensurabilis Musicae, 46) |
| CMM50 | CHARLES HAMM, Lionel Power Complete Works. I: Motets, American Institute of Musicology, 1969 (Corpus Mensurabilis Musicae, 50) |
| CMM7/2 | BERNHARD MEIER, J. Barbireau: Opera Omnia, American Institute of Musicology, 1957 (Corpus Mensurabilis Musicae, 7) |
| CMM74 | BARTON HUDSON, Hayne van Ghizeghem: Opera omnia, American Institute of Musicology, 1977 (Corpus Mensurabilis Musicae, 74) |
| CMM77 | WALTER H. KEMP, Anonymus Pieces in the Chansonnier El Escorial, Biblioteca del Monasterio Cod.V.III.24, s.l., American Institute of Musicology, 1980 (Corpus Mensurabilis Musicae, 77) |
| CMM88 | EILEEN SOUTHERN, Ms. El Escorial IV.a.24, American Institute of Musicology, 1981 (Corpus Mensurabilis Musicae, 88) |
| Cox | BOBBY WAINE COX, The motets of MS Bologna, Civico Museo Bibliografico Musicale, Q15, 2 voll, Ph. D. diss., North Texas State University, 1977 |
| Crane | FREDERICK CRANE, Materials for the Study of the Fifteenth Century Basse Danse, Institute of Mediaeval Music, Brooklyn 1968 (Musicological Studies XVI) |
| Cumming | JULIE E. CUMMING, The Motet in the Age of Du Fay, Cambridge, Cambridge University Press, 1999 |
| Curtis | GARETH CURTIS, Lionel Power: Mass Alma Redemptoris Mater, Newton Abbot, 1982 |
| Curtis81 | GARETH CURTIS, Jean Pullois and the Cyclic Mass - or a Case of Mistaken Identity?, 'Music and Letters', LXII/1 (1981), pp. 41-59 |
| Cw19 | HEINRICH BESSELER, Guillaume Dufay; Zwölf geistliche und weltliche Werke, Wolfenbüttel, 1932 (Das Chorwerk, 19) |
| Cw22 | WILLIBALD GURLITT, Gilles Binchois: Sechzehn weltliche Lieder zu 3 Stimmen, Wolfenbüttel, 1933 (Das Chorwerk, 22) |
| Cw45 | HEINZ FUNCK, Deutsche Lieder des 15. Jahrhunderts aus Fremden Quellen zu 3 und 4 Stimmen, Wolfenbüttel, Möseler, 1937 (Das Chorwerk, 45) |
| Davis | BERTRAN DAVIS, The Collected Works of Vincenet, Madison, A-R Editions, 1978 (Recent Researches in the Music of the Middle Ages and Early Renaissance, 9-10) |
| Disertori | BENVENUTO DISERTORI, Un primitivo esempio di variazione nei Codici Tridentini, 'Studi Trentini di Scienze Storiche', XXXV/2 (1956), pp. 188-194 |
| DisertoriF | BENVENUTO DISERTORI - RAFFAELLO MONTEROSSO, Le frottole nell'edizione principe di Ottaviano Petrucci. Testi e musiche pubblicate in trascrizione integrale nella trascrizione di Gaetano Cesari, Cremona, Athenaeum Cremonese, 1954 (Instituta e Monumenta / pu |
| Disertor2 | BENVENUTO DISERTORI, Tyling - Musico inglese nei Codici Tridentini, 'Studi Trentini di Scienze Storiche', XXXVII/1-2 (1957), pp. 10-16 |
| Disertor3 | BENVENUTO DISERTORI, L'unica composizione sicuramente strumentale nei codici tridentini, "Collectanea Historiae Musicae", II (1965), pp. 135-146 |
| Disertor4 | BENVENUTO DISERTORI, Un Magnificat del Quattrocento in stile di falso Bordone, 'Musica Sacra', II (1957), pp. 45-49 |
| Disertor5 | BENVENUTO DISERTORI, Il manoscriito 1947-4 di Trento e la canzone "J'ay prins amours", 'Rivista Musicale Italiana', 48 (1946), pp. 1-29 |
| DPL1/2 | LAURENCE FEININGER, Lionel Power, Missa super alma redemptoris mater, Roma, Societas Universalis Sanctae Ceciliae, 1947 (Documenta Polyphoniae Liturgicae S. Ecclesiae Romanae, Serie 1, n. 2) |
| DPL1/3 | LAURENCE FEININGER, G. Dufay, Et in terra "ad modum tube", Roma, Societas Universalis Sanctae Ceciliae, 1948 (Documenta Polyphoniae Liturgicae S. Ecclesiae Romanae, Serie 1, n. 3) |
| DPL1/4 | LAURENCE FEININGER, G. Dufay, Missa de sanctissima trinitate, Roma, Societas Universalis Sanctae Ceciliae, 1949 (Documenta Polyphoniae Liturgicae S. Ecclesiae Romanae, Serie 1, n. 4) |
| DPL1/5 | LAURENCE FEININGER, G. Binchois, Missa de angelis, Roma, Societas Universalis Sanctae Ceciliae, 1949 (Documenta Polyphoniae Liturgicae S. Ecclesiae Romanae, Serie 1, n. 5) |
| DPL1/6 | LAURENCE FEININGER, Standley, Missa ad fugam reservatam, Roma, Societas Universalis Sanctae Ceciliae, 1949 (Documenta Polyphoniae Liturgicae S. Ecclesiae Romanae, Serie 1, n. 6) |
| DPL1/7 | LAURENCE FEININGER, G. Dufay, 2 Kyrie et 1 Gloria in Dominicis diebus, Roma, Societas Universalis Sanctae Ceciliae, 1949 (Documenta Polyphoniae Liturgicae S. Ecclesiae Romanae, Serie 1, n. 7) |
| DPL1/8 | LAURENCE FEININGER, J. Dunstable, Gloria e credo (Jesu Christe fili Dei vivi), Roma, Societas Universalis Sanctae Ceciliae, 1950 (Documenta Polyphoniae Liturgicae S. Ecclesiae Romanae, Serie 1, n. 8) |
| DPL1/9 | LAURENCE FEININGER, Leonel, Missa super fuit homo missus, Roma, Societas Universalis Sanctae Ceciliae, 1950 (Documenta Polyphoniae Liturgicae S. Ecclesiae Romanae, Serie 1, n. 9) |
| DPL4/1 | LAURENCE FEININGER, Standley, Quae est ista (fuga reservata), Roma, Societas Universalis Sanctae Ceciliae, 1950 (Documenta Polyphoniae Liturgicae S. Ecclesiae Romanae, Serie 4, n. 1) |
| Droz | EUGÉNIE DROZ - YVONNE ROKSETH - GENEVIÉVE THIBAULT, Trois chansonniers français du XVe siecle, Paris 1927 (rist. anastatica Da Capo Press, New York 1978) |
| DTB2 | WALTER SALMEN - CHRISTOPH PETZSCH, Das Lochamer-Liederbuch, Wiesbaden, Breitkopf & Härtel, 1972 (Denkmäler der Tonkunst in Bayern / Neue Folge, Sonderband, 2) |
| DTO120 | RUDOLF FLOTZINGER, Trienter Codices: Siebente Auswahl, Wien, 1970 (Denkmäler der Tonkunst in Österreich, Bd. 120) |
| DTO14-15 | GUIDO ADLER - OSWALD KOLLER, Sechs Trienter Codices: Geistliche und weltliche Compositionen des XV. Jahrhunderts, Erste Auswahl, Wien, 1900 (Denkmäler der Tonkunst in Österreich, Jg. VII, Bd. 14-15) |
| DTO22 | GUIDO ADLER - OSWALD KOLLER, Sechs Trienter Codices: Geistliche und weltliche Compositionen des XV. Jahrhunderts, Zweite Auswahl, Wien, 1904 (Denkmäler der Tonkunst in Österreich, Jg. XI/1, Bd. 22) |
| DTO28 | JOHANNES WOLF, Heinrich Isaac Weltliche Werke, Wien, 1907 (Denkmäler der Tonkunst in Österreich, Jahrg. XIV/1, Bd. 28) |
| DTO38 | GUIDO ADLER, Sechs Trienter Codices: Geistliche und weltliche Compositionen des XV. Jahrhunderts, Dritte Auswahl, Wien, 1912 (Denkmäler der Tonkunst in Österreich, Jg. XIX/1, Bd. 38) |
| DTO53 | RUDOLF FICKER - ALFRED OREL, Sechs Trienter Codices: Geistliche und weltliche Compositionen des XV. Jahrhunderts, Vierte Auswahl, Wien, 1920 (Denkmäler der Tonkunst in Österreich, Jg. XXVII, Bd. 53) |
| DTO61 | RUDOLF FICKER, Sieben Trienter Codices: Geistliche und weltliche Compositionen des XV. Jahrhunderts, Fünfte Auswahl, Wien, 1924 (Denkmäler der Tonkunst in Österreich, Jg. XXXI, Bd. 61) |
| DTO76 | RUDOLF FICKER, Sieben Trienter Codices: Geistliche und weltliche Compositionen des XV. Jahrhunderts, Sechste Auswahl, Wien, 1933 (Denkmäler der Tonkunst in Österreich, Jg. XL, Bd. 76) |
| Duffin | ROSS W. DUFFIN, Guillaume Dufay: Chansons: Forty-five Settings in Original Notation from Oxford, Bodleian Library MS Canonici 213, Miami, Ogni sorte Editions, 1983 |
| EDM32-34 | Der Mensuralkodex des Nikolaus Apel (Ms. 1494 der Universitätsbibliothek Leipzig), herausgegeben von Rudolf Gerber, 3 voll., Kassel, Bärenreiter, 1956-1975 (Abteilung Mittelalter, 4-5-6); (Das Erbe deutscher Musik, Band 32-33-34) |
| EDM37-39 | BERTHA ANTONIA WALLNER, Das Buxheimer Orgelbuch, Kassel, Bärenreiter, 1958-1959 (Das Erbe deutscher Musik, Band 37-38-39) |
| EDM4 | HERIBERT RINGMANN, Das Glogauer Liederbuch, Erster Teil: Deutsche Lieder und Spielstücke, Kassel, Bärenreiter, 1954 (Das Erbe deutscher Musik, Band 4) |
| EDM76 | MARTIN JUST, Der Kodex Berlin 4002:1 Staatsbibliothek Preußischer Kulturbesitz Berlin Mus. ms. 40021, Kassel, Bärenreiter, 1990-1991 (Das Erbe deutscher Musik, Band 76, 77, 78) |
| EDM8 | HERIBERT RINGMANN, Das Glogauer Liederbuch, Zweiter Teil : Ausgewählte lateinische Sätze, Kassel, Bärenreiter, 1954 (Das Erbe deutscher Musik, Band 8) |
| EDM80 | THOMAS NOBLITT, Der kodex des magister Nicolaus Leopold: Staatsbibliothek München Mus. ms. 3154, Kassel, Bärenreiter, 1987 (Das Erbe deutscher Musik, Band 80) |
| EDM85 | CHRISTIAN VÄTERLEIN, Das Glogauer Liederbuch, 2 voll., Kassel-Basel-London, Bärenreiter 1981 (Das Erbe deutscher Musik, 85-86) |
| EECM22 | MARGARET BENT, Fifteenth-Century Liturgical Music II: Four Anonymous Masses, Steiner and Bell, London, 1979 (Early English Church Music, 22) |
| EECM4 | Fifteenth-century liturgical music IV: Early masses and mass-pairs, transcribed and edited by Gareth Curtis, London, Stainer and Bell, published for the British Academy, 1989 (Early English Church Music) |
| EECM47 | PETER WRIGHT, Fifteenth-Century Liturgical Music V: Settings of the Sanctus and Agnus dei, London, Stainer and Bell, 2006 (Early English Church Music, 47) |
| EECM8 | ANDREW HUGHES, Fifteenth-century liturgical Music: Antiphons and music Holy Week and Easter, London, Stainer & Bell for the British Academy, 1968 |
| EMS23 | DAVID FALLOWS, Guillaume Dufay: Two Songs, London, Oxford University Press, 1975 |
| Evans | EDWARD G. EVANS, Johannes Martini Secular Pieces, Madison, A-R Editions, 1975 (Recent Research in the Music of Middle Ages and Early Renaissance, I) |
| Fallows | DAVID FALLOWS, The "only" firmly instrumental piece: a commentary on Benvenuto Disertori, in I Codici Musicali Trentini. Nuove scoperte e nuovi orientamenti della ricerca, a cura di Peter Wright, Trento 1996, pp. 81-92. |
| Fallows86 | DAVID FALLOWS, Dufay and the Mass Proper Cycles of Trent 88, in N. PIRROTTA - D. CURTI (a cura di), I codici musicali trentini a cento anni dalla loro riscoperta: Atti del Convegno Laurence Feininger, la musicologia come missione. Trento, Castello del Buo |
| Fallows87 | DAVID FALLOWS, Dufay, London, Dent, 1987 |
| Fallows99 | DAVID FALLOWS, A catalogue of polyphonic songs, 1415-1480, Oxford, Oxford University Press, 1999 |
| Ficker36 | RUDOLF VON FICKER, Agwillare, A Piece of Late Gothic Minstrelsy, 'The Musical Quarterly', XXII (1936), pp. 131-139 |
| Gerber | REBECCA L. GERBER, Johannes Cornago Complete Works, Madison, A-R Editions, 1984 (Recent Researches in the Music of the Middle Ages and Early Renaissance, 15) |
| GerberDiss | REBECCA L. GERBER, The Manuscript Trent, Castello del Buonconsiglio 88: a Study of Fifteenth-century Manuscript Transmission and Repertory, Ph. D. diss., University of California at S. Barbara, 1984 |
| GoldbergO | CLEMENS GOLDBERG, Die Chansons Johannes Ockeghems: Ästhetik des musikalischen Raums, Laaber, Laaber, 1992 |
| Gottlieb | LUIS EDWARD GOTTLIEB, The Cyclic Masses of Trent Codex 89, 2 voll., Ph. D. diss., University of California at Los Angeles, 1958 |
| Gozzi | MARCO GOZZI, Il manoscritto Trento, Museo Provinciale d'Arte, cod. 1377 (Tr 90), con un'analisi del repertorio non derivato da Tr 93, 2 voll., Cremona, Editrice Turris, 1992 (Studi e testi Musicali, I) |
| Gozzi00 | MARCO GOZZI, Wiser's codices and the 'absconditus' Binchois, in Andrew Kirkman - Dennis Slavin (a cura di), Binchois studies, Oxford, Oxford University Press, 2000, pp. 137-160 |
| Gozzi04 | Manoscritti di polifonia nel Quattrocento europeo. Atti del Convegno internazionale di studi, Trento - Castello del Buonconsiglio, 18-19 ottobre 2002, a cura di Marco Gozzi, Trento, Provincia autonoma di Trento - Soprintendenza per i Beni librari e archiv |
| Gozzi89 | MARCO GOZZI, Codici Musicali Trentini I: sei inediti senza testo da Tr 90, Rovereto, Cipriani 1989 (Biblioteca Musicale Trentina, 18) |
| Gozzi91 | MARCO GOZZI, Cristofferus Anthonii (sec. XV), composizioni sacre a tre voci, Società Filarmonica di Trento - Sezione studi musicali trentini, Rovereto, 1991 (Collana per la storia della musica nel Trentino, 16) |
| Gozzi96 | MARCO GOZZI, I codici più recenti nel loro contesto storico-liturgico: i 'contrafacta', in P. Wright (a cura di), I Codici musicali trentini: nuove scoperte e nuovi orientamenti della ricerca. Atti del Convegno Internazionale (Trento, Castello del Buoncon |
| Gutiérrez | MARTELLA GUTIERREZ-DENHOFF, Der Wolfenbütteler Chansonnier: Wolfenbüttel, Herzog August Bibliothek Codex Guelf. 287 Extrav. Untersuchungen zu Repertoire und Überlieferung einer Musikhandschrift des 15. Jahrhunderts und ihres Umkreises, Wiesbaden, Harrasso |
| Haberkamp | GERTRAUT HABERKAMP, Die Weltliche Vokalmusik in Spanien um 1500, Tutzing, Schneider, 1968 |
| HAM | ARCHIBALD T. DAVISON - WILLI APEL, Historical Anthology of Music, 2 voll., London, Goeffrey Cumberlege - Oxford University Press, 1950 |
| Hamm | CHARLES HAMM, A group of Anonymous English Pieces in Trent 87, 'Music and Letters', XLI (1960), pp. 211-215. |
| HammE | CHARLES HAMM, A Catalogue of Anonymous English Music in Fifteenth-century Continental Manuscript, 'Musica Disciplina', XXII (1968), pp. 47-76 |
| Hanen | MARTHA KIGHT HANEN, The Chansonnier El Escorial, Ms. IV a.24, Ph. D. diss., The University of
Chicago, 1973 |
| Hewitt | HELEN HEWITT, Petrucci Harmonice musices Odhecaton A, Cambridge, Mass. , 1942 (ed. anast. New York, Da Capo Press, 1978) |
| IMM3 | THURSTON DART - BRIAN TROWELL, Invitation to Medieval Music, vol. III, London, Stainer & Bell, 1976 |
| IMM4 | THURSTON DART - BRIAN TROWELL, Invitation to Medieval Music, vol. IV, London, Stainer & Bell, 1978 |
| Jard | Le jardin de plaisance et fleur de rhetorique, Paris, Antoine Verard, ca. 1510 |
| Kanazawa | MASAKATA KANAZAWA, Polyphonic Music for Vespers in the Fifteenth Century, 2 voll., Ph. D. diss., Harvard University, 1966 |
| Kaye | PHILIP KAYE, The Sacred Music of Gilles Binchois, Oxford, Oxford University Press, 1992 |
| Kirnbauer | MARTIN KIRNBAUER, Hartmann Schedel und sein "Liederbuch": Studien zu einer spätmittelalterlichen Musikhandschrift (Bayerische Staatsbibliothek München, Cgm 810) und ihrem Kontext, Bern, Lang, 2001 (Publikationen der Schweitzerischen Musikforschenden Gesel |
| Kottick | EDWARD LEON KOTTICK, The music of the Chansonnier cordiforme, Paris, Bibliothèque nationale, Rothschild 2973, Ph. D. diss., The University of North Carolina, 1963 |
| Kovarik | EDWARD KOVARIK, Mid Fifteenth-Century Polyphonic Elaborations of the Plainchant "Ordinarium Missae", 2 voll., Ph. D. diss., Harvard University, 1973 |
| Kultzen | BRIGITTE TRAUTMANN KULTZEN, Der Codex Escorial IV.a.24 : Übertragung, Katalog, historische Einordnung einer Chansonsammlung aus der zweiten Hälfte des 15. Jahrhunderts, Ph. D. diss., Universität Hamburg, 1956 |
| Lederer | VICTOR LEDERER, Ueber Heimat und Ursprung der mehrstimmigen Tonkunst, Leipzig, Siegel, 1906 |
| Luisi | FRANCESCO LUISI, Laudario Giustinianeo, 2 voll., Venezia, Fondazione Levi, 1983 |
| Lunelli | RENATO LUNELLI, La musica nel Trentino dal XV al XVIII secolo, Trento, 1967 (Voci della Terra Trentina, 4) |
| Maas | CHRIS MAAS (gen. ed.), New Obrecht Edition, 18 voll., Utrecht, Koninklijke Vereniging voor nederlandse muziekgeschiedenis, 1983-1999 |
| Marix | JEANNE MARIX, Les Musiciens de la Cour de Bourgogne au XVme siécle, Paris 1937 (rist. anastatica AMS Press, New York 1976) |
| Marrocco | W. MARROCCO - N. SANDON, Oxford anthology of Music: Medieval Music, Oxford, 1977 |
| MB8 | MANFRED BUKOFZER, John Dunstable: Complete Works, second, revised edition prepared by Margaret Bent, Ian Bent and Brian Trowell, London, Stainer & Bell, 1970 (Musica Britannica 8) |
| Meylan | RAYMOND MEYLAN, L'énigme de la musique des basses danses du quinzième siècle, Berne, Haupt, 1968 (Publikationen der Schweizerischen musikforschenden Gesellschaft. Série II, vol. 17) |
| Mitchell | ROBERT MITCHELL, The Paleography and Repertory of Trent Codices 89 and 91, Together with Analyses and Editions of Six Mass Cycles by Franco-Flemish Composers from Trent Codex 89, 2 voll., Ph. D. diss, University of Exeter, 1989 |
| Mitchell2 | ROBERT MITCHELL, Ex Codicis Tridentinis Series I/I: 12 Introit and Sequence settings from Trent 91, Sudbury, Mitchell, 2003 |
| Mitchell3 | ROBERT MITCHELL, Ex Codicis Tridentinis Series II/I: the Trent 89 equal-vocie Mass, plus Marian propers and miscellaneous items, Sudbury, Mitchell, 2003 |
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